6/1/12

(Mini-review) A Dangerous Method

Characters in reverse order of importance.
Hey kids! Do you like David Cronenberg? (The correct answer is yes.) Do you like Michael Fassbender and Viggo Mortensen? (Also yes.) Do you like Keira Knightley? (Ehh...) Do you think psychology is interesting? (Hell no.) Whatever answers you gave, maybe you ought to go see A Dangerous Method.

It's a movie about Carl Jung, Sigmund Freud and Sabina Spielrein (Fassbender, Mortensen and Knightley, respectively), whose personalities clash all over early 20th century Europe. Friendships turn to rivalry, sharing of thoughts becomes theft of ideas, and love is tainted by envy and guilt. Deep discussions about sexuality, the nature of science, Wagner, and ethics are had.

The actors are fantastic. I never knew Keira Knightley had this much range, and Fassbender is quickly climbing his way up among my favourite contemporary actors. Mortensen is almost unrecogniseable from Lord of the Rings, but damn he does a good Freud. He's like this passive-aggressive douchebag father figure, and I found it very easy to relate whenever Jung ranted about how obnoxious the man is.

The film's weak part is the editing and story structure. There's way too few characters, in my opinion. We don't really see the psychologists interact with that many patients, so in the end they talk about psychotherapy way more than they actually practice psychotherapy. The transitions from scene to scene are way too sudden, and sometimes it'd hard to keep track where the characters are, currently, and how long it's been since the last scene.

What else... it's got beautiful scenery and really good Wagner-inspired music. Not much else to say than that. It's an artsy movie, and yet, I think it may be David Cronenberg's most mainstream production since The Fly. By the way, Cronenberg, I'm sorely disappointed by the lack of psychedelic mindfuck dream sequences in this film. Even Dead Ringers had one. Don't be afraid to be you!

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